Friends In Need !
A comedy-farce in two acts
by
R. Eugene Jackson
Friends In Need
Copyright ©2004 by R. Eugene Jackson
All Rights Reserved
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CHARACTERS
Larry, a teenager with wings
Carie, a teenager with wings
Robin, about 17 years old
Jilly, her younger sister, about 13 years old
Thomas, Robin’s former boyfriend
Marvin, Robin’s younger brother, about 15 years old
Teen friends of Robin’s:
Joyce (She may also play the part of the Lion Tamer below)
Corinne (She may also play the part of the Lion below)
Babe (She may also play the part of the Cowgirl below)
Chakita (She may also play the part of the Bull below)
Local teens
Josephine (She may also play the part of a Clown below
Amber (She may also play the part of a Clown below)
Michelle
July
Donner (He may also play the part of a Police Officer below)
Paul (He may also play the part of a Police Officer below)
Brock
Others
(These characters may be played by the actors indicated above and as noted in the script or by different or new actors)
Lion Tamer
Lion
Cowgirl
Bull
Two clowns
Two police officers
The Roto-Sewer Man
TIME: The present
PLACE: Robin’s bedroom
NOTE
The names of characters may be changed to reflect the ethnic makeup of the cast.
Act One
(SCENE: A bedroom in a large, old house; the present. In the stage left wall is a door into the hallway. A floor screen or room divider stands near the up left wall blocking what is behind it. The bed with standard pillows and a spread is at up right, and there is a usable window in the stage right wall. There may be other furniture appropriate for a female teen’s bedroom, but no accessories are present.
(AT RISE: LARRY and CARIE, two teenagers with wings on their backs are present. LARRY, who also wears a tool belt stocked with assorted, brightly-colored tools is working on the floor screen. CARIE dusts furniture with a feather duster or a cloth.)
CARIE: (She sings happily) La la la la la la…. Oh, Larry, this is so wonderful! A great big old house all to ourselves.
LARRY: Well, now that the Hooey sisters have moved out. (He ducks behind the screen and hammers something)
CARIE: We can come and go whenever we want.
LARRY: I don’t think so. You want people to stare at your wings?
CARIE: I can cover them up.
LARRY: (He pokes his head from behind the screen) With what—a circus tent? They’re a little large for hiding under a blouse. Better yet, why don’t you just string colored lights on them and pretend you’re a used car lot? (He goes back to work)
CARIE: You make everything good seem so bad.
LARRY: (He comes from behind the screen and wipes his hands on a cloth) Carie, if everything bad was so good, how come we can’t go home?
CARIE: (More subdued) No luck with the portal? (She indicates the screen)
LARRY: You call this a portal? I call it a clogged up pipe.
CARIE: Is it usable?
LARRY: You can go in, but I can’t promise you what will come out.
CARIE: So we can’t go home?
LARRY: It’s not functioning right. If we tried to use it, anything could happen. We could end up in the next galaxy. We could fall into a parallel universe. We could even be flushed down the toilet. Who knows?
CARIE: One more try?
LARRY: (He shrugs) All right. (He pulls a device that looks like a TV remote control and presses one of its buttons. Loudly.) Carry us home!
(The lights flicker and wind sounds are heard)
CARIE: (She jumps up and down in glee) It’s working, it’s working!
(The flickering lights and the wind sounds stop)
LARRY: It’s not working, it’s not working.
CARIE: (Deflated) And that, dear Larry, is why we must be happy with this great big old empty house. (She sings cheerily) La la la la la la…. (She sits. Sadly.) But I can’t be happy here. I wanna go home!
LARRY: If I could just figure out what’s clogging it up. (He places the control device on the floor as he checks the screen again)
(They stop in shock when they hear loud noises offstage left, like the sounds of boxes dropping and something breaking, along with voices)
CARIE: What’s that?
ROBIN: (Angrily from offstage left) But I don’t want to like it here.
JILLY: You have to like it here. You don’t have any choice.
LARRY: Voices! Human voices!
ROBIN: I do, I do.
JILLY: Oh, yeah? Well, what choice? What choice do you have?
ROBIN: I could, I could refuse to go inside.
JILLY: Robin, you’re already inside!
CARIE: I thought they moved away.
LARRY: Apparently somebody else is moving in.
JILLY: (From off left) Your room is upstairs.
ROBIN: I’m not going up there.
CARIE: She’s not coming up here.
JILLY: Oh, yes, you are.
LARRY: Yes, she is.
ROBIN: I’m not.
CARIE: She’s not.
JILLY: You are.
LARRY: She are. I mean, she is. Quick, out the window!
CARIE: The portal. We can use the portal.
LARRY: It’s not safe. The window. Come on. Hurry. (He pushes her to the window, leaving behind his special device) Out the window!
CARIE: (As he shoves her through the window) Look out for my wings!
LARRY: Well, get smaller ones next time.
(They climb outside, leaving the window open)
ROBIN: (From offstage left while CARIE and LARRY are exiting) I’m never going to like it here. Never, never, never! I’m going to hate it. I’m going to loathe and despise it.
JILLY: (From off left) You’ll love and adore it.
ROBIN: (From off left) How many stairs is that? Thirteen? It’s thirteen. Bad luck. I told you I was going to hate it. (She enters and looks around. In her mid-teens, she is dressed accordingly.) I hate this bedroom. I hate these walls. I hate this floor. (To JILLY) I knew I was going to hate it. (She rushes to the bed and throws herself across it) I hate it, I hate it, I hate it. (She sobs)
JILLY: (ROBIN’s younger sister, she enters and looks around, ignoring ROBIN’s attitude) I love it, I love it, I love it. Think of it this way: You have your own room, and I have my own room. No more rooming together. You’re crying in absolute delight--right?
ROBIN: I’m not crying.
JILLY: You sound like you’re crying.
ROBIN: I’m sobbing.
JILLY: What’s the difference?
ROBIN: Well, I don’t know. Crying is, you know, being sorry about something. And sobbing is showing grief. So how about letting me sob in private, okay?
JILLY: What’s there to grieve about? New town, new house—bigger town, bigger house. Lots of rooms for exploring.
ROBIN: I don’t care about those things. I want our old house. (Pause) I want our old school, my old friends.
JILLY: Well, unless you are willing to commute a thousand miles every day, you better get used to this new place.
ROBIN: It’s not a thousand miles. It’s only five hundred.
JILLY: (Sarcastically) Oh, well, gee, Robin, a mere five hundred miles. You can bicycle that far.
ROBIN: (Hopefully) You think so?
JILLY: No! Come to your senses. You don’t even have a bicycle.
ROBIN: I could buy one.
JILLY: Where would you get the money?
ROBIN: I could borrow one.
JILLY: From whom?
ROBIN: I could steal one.
JILLY: Robin! You want to go to jail?
ROBIN: It couldn’t be any worse than this place.
JILLY: Jail food is nothing but swill filled with suspicious lumps and roach wings.
ROBIN: All right. I wouldn’t like jail.
JILLY: So get used to this place—even though it has its oddities as well.
ROBIN: Oddities?
JILLY: You haven’t noticed? The floor squeaks, the ceilings groan, the shutters clang.
ROBIN: This house doesn’t have shutters.
JILLY: (She revels in telling this) Well, something clangs. I tell you, this place is full of ghosts.
ROBIN: Oh, Jilly.
JILLY: And creepy things crawling in the walls.
ROBIN: Stop it.
JILLY: Chains rattling, bones clattering against each other.
ROBIN: That’s my knees shaking.
JILLY: Because you’re frightened?
ROBIN: No. Because I want to go home!
JILLY: Oh. And did I tell you about the huge attic?
ROBIN: Huge attic?
JILLY: Yeah. You know—as in…huge.
ROBIN: You’ve already been up there?
JILLY: While you were still moping in the car. Well, anyway, I peeked. It was too scary to actually go into it.
ROBIN: You’re trying to frighten me.
JILLY: (In a mysterious tone) I am frightening you.
ROBIN: Well, stop it.
JILLY: (Ignoring her) It was dark and spooky and spider-webby.
ROBIN: (She turns her head into the bed and sobs again) Whaaaaaah! I don’t like it.
JILLY: Well, I’m a little worried about that part myself. The place reeks of scariness.
ROBIN: The attic?
JILLY: The whole house. (She scans the room) Well, at least you don’t have to worry about skeletons in your closet.
ROBIN: Why not?
JILLY: No closet.
ROBIN: What? (She walks around the room) You’re right.
JILLY: As usual.
ROBIN: Where am I supposed to hang my clothes?
JILLY: Why hang them? Just put them where you usually do—on the floor.
ROBIN: I’ve got to have a closet. I can’t live in a room that doesn’t have a closet.
JILLY: There’s nothing here but this floor screen. (She looks behind it)
ROBIN: What’s behind it?
JILLY: A wall.
ROBIN: Not a closet?
JILLY: A solid wall. (She pulls the screen aside revealing the wall. Then she replaces the screen.)
ROBIN: It looks like a wall.
JILLY: If it looks like a wall and walks like a wall, it’s a wall. (She picks up the device that LARRY left behind) What’s this?
ROBIN: A child’s toy?
JILLY: (She smiles) No. I think it’s a futuristic ray gun.
ROBIN: Don’t be silly. (JILLY points it at her) Hey! Never point anything that’s futuristic.
JILLY: Oh, it can’t hurt you. What’s this button for? (She presses it)
(There is a loud buzz or popping sound that appears to come from the device)
JILLY: (Frightened by it, she drops it as if it has turned hot and runs to another part of the room) Aeeeiiii!
ROBIN: Yaaaaiiii! You shot me! You shot me! (She falls to the floor)
JILLY: (As she composes herself) I didn’t shoot you. That was just probably…some noisy ghosts in the attic. Or something.
ROBIN: It sounded like it came from that thing.
JILLY: Impossible.
ROBIN: You didn’t shoot me?
JILLY: With a child’s toy? (She picks up the item and places it on a table)
ROBIN: (As she rises from the floor) Okay. I’m not shot. You’re sure I’m not shot?
JILLY: You’re still breathing.
ROBIN: And still at a loss about what to do about storage space.
JILLY: Trade rooms with me.
ROBIN: Why?
JILLY: I’ve got a closet.
MARVIN: Your room is a closet. Or was a closet. Before it was your room.
JILLY: In that case, my closet has a closet. (To ROBIN) So we switch.
ROBIN: No switching. I’ve got lots of room up here for sleepovers.
JILLY: Who’s going to be sleeping over?
ROBIN: My friends. (She thinks) Except I don’t have any friends here. (She wails) I wanna go hooooome!
JILLY: Robin? Jilly to Robin. Hey, girl!
ROBIN: (Angrily) What?
JILLY: Dad gets a new job in a new town. We sell our old house and buy a new one. What are you gonna do—stay in our old town and live in a tree with birds and bugs as neighbors? Huh? Or maybe you would prefer setting up housing under the expressway. This is our beautiful new—if mildly frightening—abode. Think of the future, not the past.
ROBIN: But I had a boyfriend.
JILLY: You call Thomas a boyfriend? I call him a mutt.
ROBIN: A mutt? You mean, like a dog?
JILLY: Yeah. Every time he was around you, he would pant like a mutt. (She demonstrates panting)
ROBIN: That’s because he liked me.
JILLY: He also drooled.
ROBIN: He was hungry.
JILLY: Every minute of every day?
ROBIN: He liked to eat.
JILLY: Yeah, well, I like to sing, but I take a break every once in a while.
ROBIN: I don’t care what you say, Thomas was handsome….
JILLY: Handsome?! (She picks up the device and turns it over and over)
ROBIN: Thoughtful.
JILLY: Thoughtful?!
ROBIN: And he loved me and only me.
JILLY: Robin, there were only two girls who would look at him twice. You and Myrtle, his pet turtle.
ROBIN: The perfect boyfriend.
JILLY: A slob.
ROBIN: Well-dressed.
JILLY: He wore the same shirt for a week.
ROBIN: It was a nice shirt.
JILLY: Until he wore it for a week. Then it smelled like, like…like he had worn it for a week.
ROBIN: (She sighs) Thomas! I want to see Thomas.
JILLY: The mutt—the panting, drooling mutt. Okay, sure. This button says “Appear.” So…Thomas the mutt, appear! (She presses the button)
(The lights flicker and wind sounds are heard)
ROBIN: What was that?
JILLY: The ghosts in the attic.
(The floor screen shakes)
ROBIN: (Pointing at it) J-j-jilly, look!
JILLY: The g-g-ghosts in your room!
ROBIN: You did something with that thing in your hands.
JILLY: I did not.
(THOMAS enters from behind the screen. The wind sounds and the flickering lights stop. He is a horrible slob. His hair and face are a mess, his clothes are over-sized and filthy, and his dirty and holey sneakers are huge. He wipes his nose with his shirt sleeve and gives a big snort. He carries some typing paper and a book.)
ROBIN: T-t-thomas?
JILLY: The mutt has followed us! How did he do that?
THOMAS: (He gives a silly grin to ROBIN. He never looks at or speaks to JILLY.) Hey, Robin. (He starts to pant loudly)
JILLY: (To ROBIN) You see? Panting.
(His tongue hangs out as he pants louder)
JILLY: You see? Drooling.
THOMAS: (To ROBIN) I’ve been waiting for you to call me. But you haven’t called me.
ROBIN: But, but, Thomas, where did you come from? I mean, you know, like where?
THOMAS: I thought you might want to take me to a movie on Saturday night. I mean, if I’m available.
JILLY: Where did he come from? (She looks behind the floor screen) It’s still a solid wall back here.
THOMAS: I’d pay for things, but I think it’s your turn.
ROBIN: I paid last week.
THOMAS: Well, all right. I’ll let you take my turn. You can pay for two weeks in a row.
JILLY: (She goes to the door and looks out into the hallway) And behind that solid wall is…outside.
THOMAS: But, to save a little, we can share the popcorn and soda.
ROBIN: You’re going to buy the refreshments?
THOMAS: Hey, didn’t we just agree that it was your turn to pay?
JILLY: Don’t share anything with him unless you want to catch what he’s got.
ROBIN: And what’s that?
JILLY: The creepy cruds. I mean, you don’t want to eat from a popcorn box that he’s put his clammy hands into.
ROBIN: You are so critical.
JILLY: Well, let me be critical about something else. He’s not here.
ROBIN: What are you talking about? You see him, don’t you?
JILLY: And worse yet, I smell him.
ROBIN: Then he’s here.
JILLY: Okay, so maybe he’s here, but he’s not real.
THOMAS: (To ROBIN) So, do you want to go to the movie or not? I can get another date, you know.
JILLY: Yeah--with Myrtle the turtle.
THOMAS: I’ll drive. If you give me some money for gas. And if my old man will let me. And if you don’t tell anybody my temporary license was revoked.
ROBIN: Why don’t we just walk?
THOMAS: Because when we walk, there’s no back seat to make out in.
JILLY: (To ROBIN) So he can drip drool on your blouse.
THOMAS: Oh, and here’s a book and some paper. I need an essay for English on Monday. Can you have it done a little early so I can look it over before I hand it in?
ROBIN: (She takes the book and paper) I guess.
THOMAS: The last time, teach asked me some questions about it, and I didn’t know the answers.
JILLY: Maybe you should try doing your own papers, Thomas the Mutt. Then you would know what’s in them. (Pause) On the other hand, maybe you wouldn’t.
THOMAS: She had the nerve to give me an “F” on it.
JILLY: That’s because there was nothing lower.
THOMAS: So how are you doing, Robin?
ROBIN: Well, since we’ve moved, I….
THOMAS: Yeah, yeah. You haven’t asked me about me yet.
ROBIN: Well, I haven’t exactly been able to get a word in….
THOMAS: Don’t you want to know how I’m doing?
ROBIN: I guess so.
THOMAS: Well, I was thinking about going out for football last week.
ROBIN: Yeah, and?
THOMAS: Coach said football season was over.
ROBIN: Really?
THOMAS: Yeah. I was glad of that. I don’t like being hit.
JILLY: Silly of you to worry about that, Thomas. If he let you on the team, you’d be first-string bench-warmer. They don’t hit bench-warmers. Usually.
THOMAS: I’m real good at sports, you know.
ROBIN: Yeah?
THOMAS: I hit a grand slam once.
ROBIN: What’s that?
THOMAS: (Pause. He thinks.) You, uh, don’t know what a grand slam is?
ROBIN: No.
THOMAS: Well, it’s, uh, when you make three, uh, baskets in a row. I think.
JILLY: (To ROBIN) This is your boyfriend?
ROBIN: (To JILLY) Maybe “boyfriend” is too strong a word.
JILLY: Robin, come here. Come on. Come here. (They move away from THOMAS)
THOMAS: Or you could just pick me up in a cab. They have back seats.
ROBIN: What? What is it?
JILLY: I think we’re dreaming.
ROBIN: Dreaming?
JILLY: All right; we’re night-maring. See, this isn’t happening. It can’t be. I mean, Thomas-the-Mutt can’t walk through solid walls, and he can’t be here when he’s got to be back where we came from. Don’t you see? That’s not Thomas.
(ROBIN glances at THOMAS, who snorts and rubs his nose with his sleeve)
ROBIN: No. That’s Thomas, all right.
JILLY: All right, all right. Let’s, uh, get rid of him then. How about that?
ROBIN: How do we do that?
THOMAS: Or a limo. Hey, yeah. I’ve never been in a limo. Can you get a limo for Saturday night? (He smiles big) They have big back seats!
JILLY: How do you usually do it?
ROBIN: I scream. (She opens her mouth to scream)
JILLY: (Covers her mouth with her hand) Mom and dad are downstairs. I don’t think we want them to know you’ve got a boy in your room—already.
ROBIN: (Removes JILLY’s hand) Right. Then what?
JILLY: Simple. We tell him to go. Thomas, you’ve got to leave now.
THOMAS: (Ignoring her) Or a bus. Buses have a bunch of back seats.
JILLY: Didn’t work.
ROBIN: It never worked for me either. Sure you don’t want me to scream?
JILLY: (She looks at the device in her hand) No, wait. This thing. This thing in my hand. I pressed this button and he appeared. So, if I press another button, he will disappear.
ROBIN: How do you know which button to push?
JILLY: The one that says “Disappear.”
ROBIN: Well, give it a try.
JILLY: Here goes. (She points it at THOMAS) Thomas, disappear. (She presses the button)
THOMAS: (As he begins to shake a little) Hey! What goes?
JILLY: (Apprehensive) I’m…I’m not sure.
ROBIN: Don’t hurt him.
THOMAS: Something’s happening here.
JILLY: It sure is.
ROBIN: It’s not working.
(The lights flicker and wind sounds are heard as a surprised THOMAS moans as he appears to be pulled off behind the screen. ROBIN covers her eyes. The flickering lights and wind sounds stop.)
ROBIN: (As she looks up) Is that it? Is he gone?
JILLY: (She looks around) Well, he’s not here.
ROBIN: I can’t believe that he was actually my boyfriend. I mean, I don’t remember him like that at all. He’s a total slob.
JILLY: You’ve only just now recognized that?
ROBIN: I guess so.
JILLY: You need some good psychotherapy. (She tosses the device onto the bed)
(MARVIN, their 15 year old, immaculately dressed and groomed, brother, enters at left carrying a huge heap of suitcases and boxes piled above his head)
MARVIN: (Trying to balance the boxes) Which I will be happy to administer. For a small fee.
JILLY: Marvin, you don’t know anything about psychotherapy.
MARVIN: Well, that’s to your benefit. Because, if I did, I’d charge a big fee.
ROBIN: No, thanks.
JILLY: A brother does not administer psychotherapy to his own sister. Besides, you’re a male, and girls do not tell their innermost secrets to men.
MARVIN: (Grunting under the weight) Just trying to help. Robin? What do you want me to do with your things?
ROBIN: Just put them anywhere.
MARVIN: Be more precise. I can’t place them “anywhere.” They have to be “somewhere.”
ROBIN: I don’t care.
MARVIN: I don’t know where “I don’t care” is.
JILLY: On the floor, Marvin. Do you know where the floor is?
MARVIN: I can’t see it, but it’s usually just under my feet.
JILLY: Then that’s where you put the bags.
MARVIN: (He loses his balance) Ohhhh! (The boxes fall to the floor)
ROBIN: (She screams and jumps up) Ahhhh! Marvin, you dropped them—my precious…whatever!
MARVIN: Did they hit the floor?
ROBIN: Yes.
MARVIN: Well, then mission accomplished. (Pause) Shall I unpack them for you?
ROBIN: (She runs to the boxes and lies over them, protecting them from him) Don’t you dare!
MARVIN: Just trying to be of service.
JILLY: Marvin, be of service, but never open a woman’s bag.
MARVIN: Just trying to help the ladies of the house.
(They move the boxes and bags aside)
ROBIN: Why?
MARVIN: Why what?
ROBIN: Why are you helping us? It’s unnatural for a brother to help his sisters.
MARVIN: I am also a gentleman.
ROBIN: (To JILLY) I think I liked Thomas better.
JILLY: Robin, grow up. Thomas was a slob. (She indicates MARVIN) Marvin is a…well, a go-fer.
MARVIN: A gopher that digs in the ground?
JILLY: No. A go-fer: go fer this, go fer that. A go-fer. (To ROBIN) Though, in all honesty, he’s a well-groomed go-fer.
MARVIN: And a gentleman.
ROBIN/JILLY: (Pause. Then in unison.) I think I liked Thomas better.
MARVIN: But you’re never going to see him again. And I’ll be around forever.
ROBIN: You’re trying to scare me—right? I don’t want you around forever. In fact, you can leave now.
(MARVIN holds out his hand)
ROBIN: What’s that for?
MARVIN: A tip. Don’t I deserve a tip?
ROBIN: Here’s the tip of the day, Marvin: get lost.
MARVIN: Well! (He looks around) I guess it is possible to get lost in this big old place. There are lots of cubby holes and little rooms and… (He pauses)
JILLY: And what?
MARVIN: Isn’t this strange?
JILLY: What? What’s strange?
MARVIN: No closet.
ROBIN: We know that, Marvin.
MARVIN: There must be twenty closets in this house, but not a single one in this room. Nothing but this room divider. (He looks behind it) Which isn’t dividing the room. What’s it doing here?
JILLY: I think the goblins left it.
MARVIN: (Slightly frightened) Goblins? What goblins?
ROBIN: The ones in Jilly’s twisted mind. Don’t listen to her.
JILLY: Right. Don’t listen to me. I don’t know what I’m talking about. All I know is, when we started talking about…a certain person…and I pressed a certain button, that certain person suddenly appeared in this room.
MARVIN: Yeah, right. (Nervously) She’s making this up, right, Robin?
ROBIN: I don’t know. I’m not sure. Something happened, but I’m not sure what it was.
JILLY: But we don’t want to talk about it any more. It’s too…dangerous.
MARVIN: D-d-dangerous?
ROBIN: Jilly, don’t.
MARVIN: It’s dangerous to be in this room?
ROBIN: It’s not dangerous. Unless you get me all riled up!
MARVIN: Sorry.
ROBIN: Oh, don’t be. I’m just angry because I can’t be with my friends any more. I miss them. (Moping, she gets in bed and pulls the covers up to her chin. She picks up the device.)
JILLY: Hey, we all had friends back home.
MARVIN: I didn’t.
JILLY: Except Marvin. Nobody likes somebody who dresses like that—for gym class.
MARVIN: Yeah, well, normally I would wear my tuxedo, but I had to dress down when mom found out I ripped my tuxedo pants doing jumping jacks in P.E.
JILLY: While the rest of the class laughed their heads off. Weird Marvin—that’s what they call you.
MARVIN: Do not.
JILLY: Well, they should.
MARVIN: They were too busy calling me things I can’t say in the company of ladies.
JILLY: Yeah, well, where are the ladies?
ROBIN: Joyce and Corinne and Babe and Chakita.
JILLY: They’re ladies?
ROBIN: No. They’re my best friends. Were my best friends. I miss them. I really, really miss them.
JILLY: (She looks around suspiciously) Uh, Robin, I don’t think I’d talk about them, you know, in this room.
MARVIN: Why not?
JILLY: Because they might, well, materialize.
MARVIN: What does that mean?
ROBIN: Joyce was always so nice to me.
JILLY: Nice? Joyce was nice? Joyce who? Do you know same Joyce other than the Joyce I saw you with every weekend? Because that Joyce was not nice.
ROBIN: She was so. One time when I was sick, she lent me her homework so I could keep up in class.
JILLY: Lent you her homework? Robin, she lent you the questions, which you answered, and then she copied.
ROBIN: When I dropped my lipstick in the girls’ toilet, she gave me hers.
JILLY: Yeah. That awful peachy-orange color that she used to write on the bathroom walls.
MARVIN: (To ROBIN) And you put that on your lips? Ughhh!
ROBIN: And Corinne was a doll. So pretty.
JILLY: And if you didn’t tell her how pretty she was every five minutes, she went into a rage.
ROBIN: And I always got along great with Babe.
JILLY: That’s because she never said anything but, “Hi; how are you,” and she was always into things that didn’t belong to her—including other people’s lockers in the gym.
ROBIN: Jilly, why are you saying these things? You’re just jealous because I had all these friends, and all you had was Maxine.
JILLY: Maxine was the best dog a girl could have.
MARVIN: Until she started biting you every time she saw you.
JILLY: Those were love nips.
MARVIN: Then why did you put her up for adoption?
JILLY: A girl can only stand so many love nips.
ROBIN: Will you please stop talking about love nips? I’m trying to feel sorry for myself.
MARVIN: And doing a right good job of it, if I may say so.
ROBIN: You may not say so. I want my friends back. I want them back now! (She aims the device toward the screen and presses a button on it) Girls, appear!
JILLY: Robin, don’t!
(The lights flicker and wind sounds are heard. ROBIN, JILLY, and MARVIN look around frightened)
MARVIN: What happened to the lights?
ROBIN: You…you don’t think…?
JILLY: Yes. Yes, I do. I think you’ve roused them from their homes and brought them….
(The lights flicker again. JOYCE, CORINNE, BABE, and CHAKITA enter in a rush from behind the floor screen. The wind sounds and the flickering lights stop. CORINNE is dressed in a drab tee-shirt, jeans, and sneakers. JOYCE carries a book and some paper.)
JILLY: (Continued) …here!
MARVIN: Yeeeiiii! (He runs to a corner away from them)
JILLY: Oh, my golly, gee, Robin. Look what you did!
MARVIN: G-g-ghosts! G-g-goblins! It’s, it’s paraphernalia!
JILLY: That’s “paranormal,” Marvin.
ROBIN: (Joyously, she leaps out of the bed) My friends! It’s my friends from back home!
(The FOUR newcomers gather around ROBIN and hug and jump up and down in joy, as JILLY crosses to MARVIN)
JILLY: Can you believe this?
MARVIN: Are they real? I mean, where did they come from? They couldn’t have driven all the way from….
JILLY: I don’t think they drove.
MARVIN: Hitch-hiked?
JILLY: More like teleported.
(JILLY and MARVIN watch from the side)
JOYCE: Oh, Robin, where’ve you been? We were waiting for you before we went to our first class.
ROBIN: (Happily) Why?
JOYCE: So you could give us the answers to the take-home quiz, silly. (She laughs)
ROBIN: Well, sorry, but I’ve, you know, moved. I don’t live there any more.
JOYCE: (Digging through her purse, ignoring ROBIN’s last statement) Oh, and here. (She hands her a tube of lipstick)
ROBIN: Oh, uh, thanks.
JOYCE: It’s an old lipstick. Kind of a purple-brownish green. I’m through with it. I thought you might want it. I know you like ugly…uh, I mean, unusual colors.
ROBIN: Is this the one you used to write on the bathroom walls?
JOYCE: Oh, no, silly. Of course not. Babe used it to scribble graffiti inside people’s lockers.
BABE: (She waves to ROBIN) Hi. How are you?
ROBIN: Oh. Well, I’ll put it in my makeup box and save it for a…special occasion.
JILLY: (To MARVIN) Yeah—like the next time she decides to print graffiti on her lips.
CORINNE: (To ROBIN) You haven’t told me how much you like my outfit, Robin.
ROBIN: Oh, right, Corinne, I haven’t.
CORINNE: (She smiles) Well, I’m waiting. I always do a great job in selecting my clothes and doing my makeup. That’s why everybody adores my appearance.
ROBIN: Uh, okay.
CORINNE: You adore it too, don’t you?
ROBIN: Oh, well, sure. I guess.
CORINNE: (Disappointed) You guess?
ROBIN: (Doing the expected) Okay, yes, Corinne, you look great. That’s a great outfit. Jeans and a tee and sneakers. How original.
CORINNE: It’s not the originality, Robin. It’s the way they look on this great body. I would look beautiful even in a Wal-Mart uniform. That’s because my complexion is so nice and soft and lovely. Isn’t it, Babe?
BABE: Hi. How are you?
CORINNE: As you can see, Babe finds me irresistable.
ROBIN: And Chakita? It’s been a long time—a long, long time.
CHAKITA: Three days.
ROBIN: In a teen’s eyes, three days is a long time. I’ve missed you guys.
JOYCE: We’ve missed you, too, Robin.
ROBIN: Really?
JOYCE: Yeah. We haven’t found anybody else who will do our homework for us.
CORINNE: So we’ve had three days of zeros on it. At that rate, our grades could drop as low as a “B.”
JILLY: (To MARVIN) What parallel world does she live in? She’s never made above a “D” in her life. And that’s with cheating!
MARVIN: When I leave this room, remind me to never come back.
JILLY: Why? Because of these ghosts?
MARVIN: No. Because I don’t want to be associated with cheaters.
JOYCE: So could you do these questions on page eighty-six before we go? (She hands ROBIN the book and paper)
ROBIN: I guess so. (She takes the materials) Is this the only reason you came to visit me?
JOYCE: Well, yeah. What other reason could there be?
CORINNE: Just do the questions, Robin. This is taking time away from my primping and prancing.
ROBIN: Chakita, you’re in a different class. Got any questions for me?
CHAKITA: I prefer to do my own. I’m thinking I’ll learn better that way.
ROBIN: Probably.
JILLY: Robin! Robin?
ROBIN: Huh?
JILLY: (Secretly to ROBIN) Get rid of them.
ROBIN: Why? I don’t want them to leave.
JILLY: Sure, you do. They’re just trying to take advantage of you.
ROBIN: I don’t care. We were a popular group.
JILLY: Give me that. (She snatches the device from ROBIN)
ROBIN: No, don’t. Give me that back, Jilly.
JOYCE: (Tapping her toe) Robin, we’re waiting. Our teachers are waiting.
CORINNE: The homework?
(As ROBIN turns to respond to the GIRLS, JILLY aims the device at them)
JILLY: Girls, disappear!
ROBIN: (To JILLY) No!
(JILLY presses the button. The lights flicker and wind sounds are heard.)
JOYCE: Hey! What was that?
BABE: Hi. How are you?
ROBIN: (To JILLY) Now look what you’ve done.
JILLY: What? I’m saving you from your selfish so-called friends.
(The four GIRLS seem to be pulled toward the room divider)
JOYCE: What is this? What’s happening?
CORINNE: I don’t know. But I know what’s not happening. Robin’s not getting our homework done.
CHAKITA: You could try doing your own. Good-by, Robin.
(The four GIRLS scream as they are pulled off behind the screen. Their screams taper off as if disappearing into the distance as the wind sounds and flickering lights stop.)
JILLY: (She looks at the device in her hand) Well. Looks like I’ve got this appearing and disappearing act down to a science.
MARVIN: Girls from our old town show up in our new town by walking through a solid wall. I don’t know how you can say there was anything scientific about that. It’s downright spooky.
JILLY: I knew this place was eerie. I could feel it when I walked in the front door.
MARVIN: You came in through the back door.
JILLY: And that’s why I knew this place was eerie. Back doors are always eerier than front doors.
MARVIN: Jilly, do you even know what you’re talking about?
ROBIN: (To JILLY) You killed my friends.
JILLY: I didn’t kill them. I zapped them.
ROBIN: Well, they’re gone. Same thing.
MARVIN: Who would want friends like them?
ROBIN: Me. I would. If they were real. (Pause) Oh, wait. That’s it. Jilly, don’t you see? Those weren’t really my friends.
MARVIN: You can say that again.
ROBIN: (To JILLY) It’s like you said about Thomas. He was a ghost; they were ghosts. Not real people. And, as evil ghosts, they became unkind and selfish and vain.
JILLY: That sounds like them, all right.
ROBIN: Whereas, in real life, they were kind and giving and…and… (She deflates)…and vain. And always wanted me to do their homework.
JILLY: Evil ghosts that are truthful. Imagine that.
ROBIN: And I had to move away from them to really understand them. I’ve been a jerk.
JILLY: I wouldn’t say that.
ROBIN: A dummy.
JILLY: I wouldn’t say that.
ROBIN: A fool.
JILLY: (Pause. She nods.) I would say that.
MARVIN: Me, too.
JILLY: But, look, Robin. We now know how the ghosts work. If we mention someone’s name and press this button, she shows up. So we don’t mention the names of people we don’t like. Simple, huh? (To MARVIN) And very scientific.
MARVIN: Oh. So this is science, huh? Well, you look. Suppose we say the names of people we don’t even know. Will they show up?
JILLY: I haven’t gotten that far in my study.
MARVIN: Well, if you’re so scientific, let’s give it a try.
JILLY: What?
ROBIN: How is this supposed to help me with my problem?
MARVIN: You have a problem?
JILLY: Forget her, Marvin. Go ahead with what you were saying.
MARVIN: All right. Look. Robin wants to meet new friends, right?
ROBIN: No. I never want to have another friend as long as I live.
MARVIN: (Ignoring her) So let’s invent some.
JILLY: How?
MARVIN: Like you said—we mention their names.
JILLY: Like?
MARVIN: Okay. Let’s see. Girls. We want girls, right? Josephine.
JILLY: Josephine? Nobody’s named Josephine any more.
MARVIN: Just testing your logic. Josephine, uh, Amber, Michelle, July.
JILLY: July? July is not a girl; it’s a month.
MARVIN: Parents give odd names these days.
JILLY: Odd names, yes. Stupid names, no.
MARVIN: Hey, I’m just testing your science. Now, you press your button.
JILLY: Oh, Marvin.
MARVIN: Or are you afraid you really don’t understand all this?
JILLY: (Pause) All right. I press the button.
MARVIN: Girls, appear.
(They look around as they wait for them to appear)
ROBIN: How long do we have to wait?
JILLY: It only took a few seconds before.
ROBIN: I don’t want to do this. If they come, they’ll be just like my old friends—vicious, vain, smarty-pants.
MARVIN: Is that what you want them to be?
ROBIN: That’s what they will be.
MARVIN: Let’s review our names. Josephine…
JILLY: That’s the holdup. There’s nobody by that name.
MARVIN: Amber, Michelle, and July.
(They look around, but nothing happens)
ROBIN: Just like a friend: call them and they don’t answer.
MARVIN: (To JILLY) So much for your scientific approach.
JILLY: (She looks behind the screen) Still a solid wall.
ROBIN: Maybe you’re blocking their passage.
JILLY: I’m not blocking anything. I’m encouraging them. (She calls out) Okay, okay, all you ghosts out there. We’ve given you the names. Where are you? Come out, come out wherever you are.
(Silence)
MARVIN: (To ROBIN) Maybe your screen ran out of fuel.
JILLY: Maybe we can only get the ghosts we know.
ROBIN: Maybe there aren’t any real ghosts.
(Silence)
ROBIN: (She wails) Ohhhhh, I want some new friends! Ohhhh!
(The lights flicker, wind sounds are heard, and here are loud noises of teens talking over one another outside the door)
JILLY: What’s that? Listen.
MARVIN: (He looks behind the screen) It’s not coming from here.
ROBIN: Then where?
KILLY: (She listens and then points to the door) From there?
(There is a knock on the door)
MARVIN: Yeeeiiii! (He rushes to the other side of the room) It works! The goblins are here!
JILLY: They’re knocking on the walls now. Robin, we’re doomed!
ROBIN: I think that’s someone knocking on the door.
JILLY: No. It’s inside the walls.
ROBIN: It’s the door.
(The wind sounds and the flickering lights stop)
JOSEPHINE: (She peeps in from the door) Hey. I’m Josephine.
JILLY: Josephine? There’s really someone alive named Josephine?
JOSEPHINE: We know you’re in there. Can we come in?
(Without waiting for an answer, they enter)
AMBER: (She has brown or black hair) Hi. I’m Amber. You can tell by my lovely amber-colored hair.
ROBIN: Your hair is brown (or black).
AMBER: Well, sometimes it appears darker than it really is.
MICHELLE: I’m Michelle. Smart as a whip and twice as sharp.
JILLY: Uh, whips aren’t sharp.
MICHELLE: What?
JILLY: How can you be twice as sharp as a whip if a whip isn’t sharp?
MICHELLE: What are you—some kind of nut?
JILLY: Huh?
JULY: I’m July. Not May or June, but July. My mom had a sense of humor. I’m totally humorless.
JOSEPHINE: We knocked on the front door. Your mom told us to come on up.
ROBIN: Oh. Well, good. I guess.
JILLY: Just as I predicted. (She makes a face at MARVIN)
MARVIN: They don’t count. They came through the door.
JILLY: They do count. They have those stupid names.
AMBER: I beg your pardon? Did you say “stupid names?”
MARVIN: My sister was, uh, referring to her own name, Jilly. She thinks “Jilly” is a stupid name.
JILLY: (Aside to MARVIN) Not as stupid as “Weird Marvin.”
ROBIN: Hi, girls. I’m Robin, and I’m homesick.
MICHELLE: (She digs through her purse) Sick? Well, don’t worry, Robin. Is it a headache? I have aspirin. (She shows her an aspirin bottle) Or is it a cold? I have cold tablets. (She shows them) Or maybe you want to sneeze. I have tissues. (She gives her a handful of them) Here’s a thermometer to take your temperature. (She shows it) And a stethoscope to detect your heartbeat. (She shows it) If you have one. You may not believe this, but I’m studying to be a doctor.
ROBIN: What kind of doctor?
MICHELLE: A vet. Have you had your distemper shots?
ROBIN: (Sarcastically) All of a sudden, I’m feeling much better.
MICHELLE: (She smiles) See what an excellent doctor I am?
JOSEPHINE: (To ROBIN) So. You want to be our friend? (Indicates her FRIENDS) We’re already a “thing,” but if you wanted to, you could join us.
JULY: As long as you don’t tell any jokes. I’m humorless.
JOSEPHINE: We do all kinds of things together. But the new girl—
AMBER: That would be you.
JOSEPHINE: Gets to do all sorts of cool things.
ROBIN: Such as?
JOSEPHINE: Carry our books.
MICHELLE: They’re pretty heavy, so you’d need a wheelbarrow or something.
JOSEPHINE: Do our homework.
JULY: It’s easy, but you would have to use different handwriting for each of us.
JOSEPHINE: Fix our hair.
AMBER: You wouldn’t have to do my amber locks because they’re already admired by one and all.
ROBIN: You don’t want a friend; you want a slave.
MICHELLE: Well, yeah….
JOSEPHINE: (To ROBIN) And you would have to look ugly all the time so the boys would see us and not you.
ROBIN: (She perks up) Boys? Did you say boys?
JILLY: Now we’re talking. What’s their names?
JULY: Don’t tell her. She might try to butt in.
JOSEPHINE: No chance. She’s too plain.
ROBIN: Who’s plain?
JOSEPHINE: Their names are Paul, Donner….
MARVIN: Donner? He isn’t one of Santa’s reindeer, is he?
JOSEPHINE: And Brock.
ROBIN/JILLY: (They smile broadly and repeat the name as a guttural sound) Br-r-r-rock?!
ROBIN: I like him already.
JILLY: Stay cool. He’s mine.
MARVIN: He’s probably a dweeb.
ROBIN: Can’t be.
JILLY: Shut up, Marvin.
ROBIN: (As a big announcement as she takes the device from JILLY) All right, girls! Bring ‘em on! Let’s see…the boys! (She aims the device at the screen and presses the button)
(The lights flicker and a wind sound is heard)
JOSEPHINE: What’s that?
MICHELLE: There’s something wrong with the lights.
MARVIN: Uh-oh. (To ROBIN) You’ve activated the…the thing again!
(BOYS’ voices are heard outside the door. The wind sound and flickering lights stop.)
JOSEPHINE: It’s the boys. How did they know we were here?
PAUL: (Peeks in from the door) Hi, all.
JOSEPHINE: This is Paul.
MARVIN: Through the door? And not through the…the thing? I’m confused.
(He enters. He is handsome, and JOSEPHINE, AMBER, MICHELLE, and JULY ooh and ahh over him.)
JILLY: He’s okay.
ROBIN: I’m waiting for Brock. (She uses the guttural sound again on his name)
JOSEPHINE: This is Donner.
(DONNER enters. He is overly “cool.”)
DONNER: All right, man!
(JOSEPHINE, AMBER, MICHELLE, and JULY ooh and ahh over him)
JILLY: He’s doesn’t look anything like a reindeer!
ROBIN: I’m waiting for Brock.
JOSEPHINE: And last but not least—Brock.
ROBIN/JILLY: (In anticipation, in a guttural voice) Brock!
(BROCK enters. He is a tiny, overly shy boy.)
BROCK: Hi. (He waves meekly) I guess that’s me. I mean, that’s me. I know that’s me, ‘cause I recognize my name, uh…
JOSEPHINE: Brock.
BROCK: Brock. Yeah, right. So people call me, uh…
AMBER: Brock.
BROCK: Brock. Yeah, right. Hi.
ROBIN/JILLY: (In unison) Uggghhh!
AMBER: (To ROBIN) Paul’s mine.
MICHELLE: Donner’s mine.
AMBER/MICHELLE: (In unison) And we don’t share.
ROBIN: And so Brock belongs to…?
JOSEPHINE: You.
ROBIN: Me?
(BROCK giggles, moves to ROBIN, and grabs her arm and tucks it under his in a possessive manner)
BROCK: Hi.
ROBIN: (She pulls herself loose) Uh, wait. No, I don’t think so. Unh-unh. See, I have friends. And I have a boyfriend. His name is…uh….
JILLY: Thomas.
ROBIN: Thomas. Excuse me. I’m still a bit flustered with this move. So I don’t need any new friends. (She looks at BROCK) And I sure as the moon don’t need a new boyfriend—like Brock!
BROCK: Hey, I’m cool.
DONNER: Man, you don’t know what cool is.
BROCK: Do too. It’s the opposite of hot.
PAUL: I’m hot.
JOSEPHINE: (Adoringly) We know!
ROBIN: So, thank you all. It was nice to meet you. Sorry you have to go. (She moves to the door and opens it) Goodby.
JOSEPHINE: Are you saying you don’t want to carry our books?
AMBER: You don’t want to do our homework for us?
MICHELLE: You don’t want to look ugly so we look better?
JULY: You don’t want to tell us jokes that I won’t laugh at?
PAUL: You don’t want to check me out?
DONNER: Or me, man?
MARVIN: Did any of you hear my sister? She doesn’t want to talk to you any more. She’s tired, she’s exhausted, she’s disappointed in what passes for friends these days.
JOSEPHINE: (Indicates MARVIN) Who’s he?
MARVIN: Okay, if you’re not leaving through the door, we’re wishing you out! (He takes the device from ROBIN)
JILLY: Marvin, no!
MARVIN: Out, out, out. Into outer space, into limbo—anywhere. Just so you’re gone.
JILLY: Marvin, you don’t know what you’re doing!
MARVIN: Be gone! (He presses the button)
(The lights flicker and wind sounds are heard)
MARVIN: Uh-oh! Did I do that?
JILLY: I think so.
MARVIN: A little mistake.
(The NEW GIRLS scream and look as if they’re being pulled toward the screen)
JILLY: Big mistake!
JOSEPHINE: What’s happening?
(CARIE peeks in from the door while LARRY looks in from the window)
AMBER: Somebody’s pulling my hair. No. They’re pulling all of me!
MICHELLE: Oohhhh!
JULY: This is not funny!
CARIE: Stop it! Stop!
LARRY: Can’t stop ‘em now!
(The screaming GIRLS are pulled off, as the BOYS are being tugged but not pulled off as yet, though the flickering lights and the wind sounds continue)
ROBIN: Oh! Leave the boys! Leave the boys here!
(The BOYS scream and are pulled off. The lights return to normal, and the wind sounds disappear.)
JILLY: Too late!
ROBIN: (To MARVIN) Now see what you did!
(CARIE and LARRY enter and rush to the screen)
CARIE: (To MARVIN) Do you know what you’ve done?
LARRY: They’re lost! Gone forever!
MARVIN: What?
JILLY: You wished them into outer space.
CARIE: And we’ll never get them back.
ROBIN: Get them back? What do you mean?
LARRY: Don’t you see? The Portal’s broken.
ROBIN: Portal?
JILLY: Hey! What’s a Portal?
MARVIN: And why do you two have wings?!
(CARIE and LARRY stare at the OTHERS as the OTHERS stare at them.
(Wind sounds are heard, the lights flicker and…)
BLACKOUT
END OF ACT ONE
To Read The Rest, Please Purchase The Script
Two sisters and their brother find an alien transporter that brings people to them not as they are but as they describe them.
Authors: R. Eugene Jackson
Synopsis:
A fun story about two sisters and a brother that discover a doorway left by aliens that makes it so friends they wish for come to them, not as they are, but in the way they are described.
Friends In Need
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