Rudolph’s Big Secret – Script One needed for each performer and others directing or working with production. Price: $8.00 |
Rudolph’s Big Secret
To warm the heart of winter’s chill that takes an up close and personal look at that famous reindeer, Rudolph. When the song’s hero meets up with the dismName | Description | ||
Rudolph’s Big Secret- Peformance Royalty | Rudolph’s Big Secret – Peformance Royalty – One needed for each performance. | ||
Rudolph’s Big Secret- Piano Score | Rudolph’s Big Secret – Piano Score – One needed for performance unless other music used. One purchase will suffice for all instruments in the orchesta | ||
Rudolph’s Big Secret- Remote Viewer Peformance Royalty | Remote Viewer Peformance Royalty – one needed per connection (limit ten viewers per ticket) |
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Rudolph’s Big Secret
To warm the heart of winter’s chill that takes an up-close and personal look at that famous reindeer, Rudolph. When the song’s hero meets up with the dismayed and down on her luck elf, Suzie McSneezer.
Author: Coni Koepfinger
Composer: Donna Howard
Synopsis:
To warm the heart of winter’s chill that takes an up-close and personal look at that famous reindeer, Rudolph. When the song’s hero meets up with the dismayed and down on her luck elf, Suzie McSneezer, he shares a glimpse of his past that is sure to inspire and bring holly red cheer and evergreen to all.
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Rudolph’s Big Secret
Author: Coni KoepfingerConi Ciongoli-Koepfinger believes that creative energy is never lost… it just changes hands, hearts and minds. She holds an MA in Literary and Cultural Theory from Carnegie Mellon University and teaches composition and literature courses at Point Park and Duquesne University. Yearly, she also directs an original new work with students in her class for the spring production at Penn State University, Greater Allegheny Campus.Her play Candledancing was recently published and is slated for a staged reading in Soho later this year. It was originally produced in 1999 with British composer, Robert Hugill. Following that collaboration, their operetta, Garrett got raves in Opera News in 2001 for its performance at Hoxton Hall, London. A Post-Gazette review of her play Sideshow compared her thematic style to Twilight Zone’s master, Rod Serling. As the director of the play reading series Sunday Night Live, she was one of the named one of “Ones to Watch� in Pittsburgh Magazine Excellence in the Arts Awards.
Although, Koepfinger resides in Pittsburgh, most of her avant-garde work follows her spirit, which has thrived in New York City for the last twenty years. Other productions include Coffeehouse Magik at Brooklyn’s Museum of Sound Recording, and Garrett, the Blue Giraffe at the Bay Area Festival in Sonoma. Her children’s plays, Jack and the Talkback Beanstalk and Rudolph’s Big Secret were named the most produced by its publisher Dramasource. Most recently, her piece The Guardian won acceptance into the 2009 Mother Daughter Monologues by the International Center for Women Playwrights. Author: Donna HowardDonna Howard has a bachelor of music in clarinet performance and music composition from Brigham Young University – Idaho. She has a master’s degree in music composition from Stephen F. Austin State University. Donna loves the performance arena of music. She loves to play in jazz bands, dance bands, orchestras, and musicals. Also trained under Wilson Brown, she learned many of the techniques of high quality performance and music.
Pursuing her degree in music, she also found great interest in the theory of music. Using these skills and working together, Donna and Daris were able to go through the songs written for the musical and refine them, making the finished product much better.
In the musical Lilacs in the Valley, her arranging style can be felt in songs like “It Ain’t Much But It’s Home” and “Walkin’ Along”.
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